The exhibition highlights two inseparable poles of the artist’s research: the faces of friends and everyday figures, and Florence itself, experienced as an inner landscape and the stage of a shared experience.
In his portraits, loved ones emerge as silent presences, charged with affection and moral tension, conveying a profound truth often veiled with melancholy. Meanwhile, the streets, hills, monuments, and isolated houses of Florence become inner spaces—living organisms with which the artist weaves a physical and moral relationship.
