Through a poetic montage that combines archival and original footage, shot on various film formats, Dionisio constructs a dialogue between images spanning nearly a century of history, from the 1930s to the present. Film fragments, documents, archival images, and new footage intertwine to form a visual narrative in which different eras, languages, and perspectives coexist and overlap.
What emerges is a portrait of a region deeply shaped by the presence of Mount Etna and devotion to Saint Agatha: a physical and symbolic landscape in which nature, memory, and collective identity feed into one another, revealing the complexity and layers of a history that is still unfolding.